「漫・境｜光色共感」主题展

2026年06月05日-2026年08月30日

上海 大上海时代广场

项目现场

大上海时代广场于 2026 年 6 月 5 日至 8 月 30 日在淮海中路 99 号户外区域呈现「漫・境｜光色共感」（The Urban Grove）主题展，携手 CLAYMEN 克雷曼工作室打造约 150㎡的彩色治愈乌托邦，这一近三个月的长期驻留项目标志着商业公共空间从消费容器向情绪疗愈场域的功能转型。从空间与造型来看，高饱和度马卡龙粉、薄荷绿、晴空蓝与明黄的撞色搭配，直接挪用"多巴胺色彩"这一 2026 年流行的视觉疗愈术语，将淮海中路的历史厚重感消解为明快温柔的城市调色盘。高低错落的几何色块装置与圆润曲线结构的交织，打破了传统户外展陈的平面化布局，形成三维立体的视觉节奏；巨型仙人掌与彩色球体等趣味元素的植入，以超尺度与拟人化的手法制造童话般的沉浸感，其制作涉及玻璃钢或泡沫雕塑的轻量化工艺，以适应户外长期陈列的风载与日晒要求。

核心亮点 CLAYMEN 原创手工泥塑"小白人"IP 的散落式布局颇具策略性——多个软萌雕塑或躺或坐、神态慵懒，以"去中心化"的展陈逻辑取代传统的焦点式观看，使 150㎡的空间转化为可漫游、可偶遇、可共情的城市客厅。泥塑材质的手工温度与"精准还原都市人疲惫又松弛的日常状态"的叙事，将艺术从精英收藏拉回大众生活经验，"慢下来、与自己和解"的治愈理念通过身体姿态而非文字宣言完成传递。无需门票的开放机制进一步消解了艺术消费的门槛，独处、闺蜜、亲子等多元场景预设使空间成为城市情感基础设施的一部分。

从品牌历史看，大上海时代广场作为淮海中路老牌商业地标，在 2026 年面临新兴商业体与线上消费的双重挤压，"情绪疗愈"的主题选择是对当代都市人集体焦虑的精准回应。CLAYMEN 克雷曼工作室以手工泥塑见长，"小白人"IP 的慵懒美学与淮海中路的历史摩登形成有趣的时空对话——前者代表慢速、手工、内省，后者象征快速、消费、外向。三个月的展期覆盖整个夏季，使这一"情绪疗愈地标"从短暂事件转化为季节性城市记忆，也为商业广场提供了持续的内容运营与社交传播素材。

Great Shanghai Times Square presented the "Wandering Realm | Synesthesia of Light and Color" (The Urban Grove) thematic exhibition at 99 Huaihai Road's outdoor area from June 5 to August 30, 2026, collaborating with CLAYMEN Studio to create a 150㎡ colorful healing utopia. This nearly three-month residency marks the functional transformation of commercial public space from consumption container to emotional healing field. Spatially, the high-saturation palette of macaron pink, mint green, azure blue, and bright yellow directly appropriates "dopamine colors," a trending visual healing term in 2026, dissolving Huaihai Road's historical weight into a bright, gentle urban color palette. The interweaving of staggered geometric color blocks and rounded curves breaks traditional planar outdoor exhibition layouts, forming three-dimensional visual rhythm; oversized cacti and colorful spheres, through hyper-scaling and anthropomorphism, create fairy-tale immersion, their fabrication involving lightweight fiberglass or foam sculpture techniques to withstand wind loads and sun exposure for long-term outdoor display.

The scattered layout of CLAYMEN's original hand-sculpted clay "Little White People" IP proves strategically astute—multiple soft sculptures lying or sitting with languid postures replace traditional focal-point viewing with "decentralized" exhibition logic, transforming 150㎡ into an urban living room for wandering, chance encounters, and empathy. The handmade warmth of clay material and the narrative of "precisely capturing urbanites' exhausted yet relaxed daily states" pull art back from elite collection to mass lived experience, delivering the healing philosophy of "slowing down, reconciling with oneself" through bodily posture rather than textual declaration. The free-admission mechanism further dissolves art consumption barriers, while diverse scene presets—solitude, friendship, family—make the space part of urban emotional infrastructure.

Historically, Great Shanghai Times Square, as a veteran Huaihai Road landmark, faced dual pressure from emerging commercial complexes and online consumption in 2026; the "emotional healing" theme precisely responds to contemporary urban collective anxiety. CLAYMEN Studio, specializing in hand-sculpted clay, creates an intriguing temporal dialogue between the "Little White People" IP's languid aesthetics and Huaihai Road's historical modernity—the former representing slowness, craft, introspection; the latter symbolizing speed, consumption, extroversion. The three-month duration covering the entire summer transforms this "emotional healing landmark" from brief event into seasonal urban memory, while providing the commercial plaza with sustained content operations and social media propagation assets.

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